The Problem of Existence in Japanese Animation: Difference between revisions
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S U S A N J . N A P I E R | S U S A N J . N A P I E R | ||
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of the building would undercut the scene's ethereal beauty. | of the building would undercut the scene's ethereal beauty. | ||
My last anime example, Serial Experiments Lain (the title is in | My last anime example, [[Serial Experiments Lain]] (the title is in | ||
English), also contains numerous evocative moments, but these moments | English), also contains numerous evocative moments, but these moments | ||
are more likely to evoke nightmares than dreams. Unlike the more | are more likely to evoke nightmares than dreams. Unlike the more | ||
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English over the credits) “I am falling, I am fading,” and, like Spirited | English over the credits) “I am falling, I am fading,” and, like Spirited | ||
Away, it follows a young girl (Lain) whose journey into a liminal Other | Away, it follows a young girl (Lain) whose journey into a liminal Other | ||
world becomes a drama of self-discovery. In the case of Lain, however, | world becomes a drama of self-discovery. In the case of [[Lain Iwakura|Lain]], however, | ||
this is not a fantasy realm but rather the world of cyberspace, an environment she enters after her father gives her a fancy new computer that | this is not a fantasy realm but rather the world of cyberspace, an environment she enters after [[Yasuo Iwakura|her father]] gives her a fancy new computer that | ||
becomes her gateway to the world of the Wired. Lain becomes more | becomes her gateway to the world of [[the Wired]]. Lain becomes more | ||
and more involved in the Wired at the same time as the Wired seems to | and more involved in the Wired at the same time as the Wired seems to | ||
begin impinging on outward reality. Doubles of Lain appear out of | begin impinging on outward reality. Doubles of Lain appear out of | ||