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| INTRODUCTION | | INTRODUCTION |
− | The scene opens with the main character waking up. He is staring at the room’s ceiling. There is the hum of a fan motor and the flowing air. | + | The scene opens with the main character waking up. He is staring at the room's ceiling. There is the hum of a fan motor and the flowing air. |
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| MC: Another unfamiliar ceiling? | | MC: Another unfamiliar ceiling? |
− | No…
| + | No... |
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| This is my room. | | This is my room. |
| | | |
− | Why…
| + | Why... |
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| --- | | --- |
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| --- | | --- |
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− | NAVI: Good morn- (The NAVI’s greeting is interrupted.) | + | NAVI: Good morn- (The NAVI's greeting is interrupted.) |
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− | MC:I’m awake! | + | MC:I'm awake! |
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− | Not sure if I’m alive though. | + | Not sure if I'm alive though. |
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| Messages! | | Messages! |
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| MC: Shut up! | | MC: Shut up! |
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− | I’ve got no time to lose my mind before work. I’m behind as it is! | + | I’ve got no time to lose my mind before work. I'm behind as it is! |
| Working for Tachibana Labs is enough! | | Working for Tachibana Labs is enough! |
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| MC:Good morning. | | MC:Good morning. |
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− | I didn’t get any messages, what happened? Did Eiri-san descend from Paradise and finish all the late commits? | + | I didn't get any messages, what happened? Did Eiri-san descend from Paradise and finish all the late commits? |
| | | |
| EMPLOYEE: | | EMPLOYEE: |
− | Haha, that’s a little too soon. The nutcase only killed himself last month. We could’ve really used him though. We’ve got more problems than solutions lately. | + | Haha, that's a little too soon. The nutcase only killed himself last month. We could’ve really used him though. We’ve got more problems than solutions lately. |
| | | |
− | Anyways, Lead says he cleared your plate. You’ve really dodged a bullet. He’s been forcing us to drink ‘Coffee’ as punishment all morning. | + | Anyways, Lead says he cleared your plate. You've really dodged a bullet. He's been forcing us to drink ‘Coffee’ as punishment all morning. |
− | He said something about you doing a special assignment, Wetware division. Didn’t you get a message? | + | He said something about you doing a special assignment, Wetware division. Didn't you get a message? |
| | | |
− | MC: I haven’t heard a thing. | + | MC: I haven't heard a thing. |
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| EMPLOYEE: | | EMPLOYEE: |
− | Well you better see him before Lead thinks you’re back on the job. | + | Well you better see him before Lead thinks you're back on the job. |
| | | |
| MC: Yeah, will do. | | MC: Yeah, will do. |
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| Even weirder, Wetware? A special assignment? Am I being transferred? No, I’ve never even dissected a frog. How could I work in Wetware? | | Even weirder, Wetware? A special assignment? Am I being transferred? No, I’ve never even dissected a frog. How could I work in Wetware? |
| | | |
− | Whatever, I’ll get some answers. | + | Whatever, I'll get some answers. |
| | | |
| But first, coffee. | | But first, coffee. |
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| --- | | --- |
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− | MC:I’ve been told to see you about an assignment sir. I haven’t received any kind of message… | + | MC:I’ve been told to see you about an assignment sir. I haven't received any kind of message... |
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| BOSS: Take a seat. | | BOSS: Take a seat. |
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− | Yes, I’m transferring you to Wetware, I’m told there’s a task that suits someone of your… Competence. | + | Yes, I'm transferring you to Wetware, I'm told there's a task that suits someone of your... Competence. |
| | | |
− | MC: I don’t know the first- | + | MC: I don't know the first- |
| | | |
− | BOSS: You don’t have to. I don’t know the details. This comes from even higher up. I’m just responsible for a little paperwork. | + | BOSS: You don't have to. I don't know the details. This comes from even higher up. I'm just responsible for a little paperwork. |
| | | |
| MC: When is this supposed to happen? Where is the Wetware division? | | MC: When is this supposed to happen? Where is the Wetware division? |
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| --- | | --- |
− | The scene is in the MC’s loft again. | + | The scene is in the MC's loft again. |
| The screen on the desk is dark. | | The screen on the desk is dark. |
| :SE:Cicadas stridulate in the background. | | :SE:Cicadas stridulate in the background. |
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| MC: *Yawn* | | MC: *Yawn* |
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− | I must be dead… | + | I must be dead... |
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| Nothing can hurt this much in the morning and still be considered alive. | | Nothing can hurt this much in the morning and still be considered alive. |
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| What time is it?! I must have slept in. | | What time is it?! I must have slept in. |
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− | Oh NAVI… You have failed me for the last time. | + | Oh NAVI... You have failed me for the last time. |
| | | |
− | I’ll be out in a minute!
| + | I'll be out in a minute! |
| | | |
| --- | | --- |
− | Two men sprites of the MIB’s stand in the foreground. The background is the front of a Black Toyota Century. They’re wearing strange eyepieces with a laser-sight. (They can be recognized as the MIB; Lin Sui-Xi and Karl.) | + | Two men sprites of the MIB's stand in the foreground. The background is the front of a Black Toyota Century. They're wearing strange eyepieces with a laser-sight. (They can be recognized as the MIB; Lin Sui-Xi and Karl.) |
| --- | | --- |
| | | |
− | MC: You’re my ride right? | + | MC: You're my ride right? |
| | | |
| MIB (KARL): Yes, we’re here to escort you. Step into the car. | | MIB (KARL): Yes, we’re here to escort you. Step into the car. |
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| Do I have to get there everyday? | | Do I have to get there everyday? |
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− | MIB (LIN): We’ll be there soon. | + | MIB (LIN): We'll be there soon. |
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− | I don’t think that will be expected of you. | + | I don't think that will be expected of you. |
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| --- | | --- |
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| MC: Whoa, what package? | | MC: Whoa, what package? |
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− | MIB (LIN): Don’t ask too many questions. It’s bad for your health. *He takes a drag from a cigarette* | + | MIB (LIN): Don't ask too many questions. It's bad for your health. *He takes a drag from a cigarette* |
| | | |
| MC: Right. | | MC: Right. |
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| --- | | --- |
| The scene stands before a 3 storey tall concrete and glass office complex, it stands solitary and there is no one outside. | | The scene stands before a 3 storey tall concrete and glass office complex, it stands solitary and there is no one outside. |
− | A few footsteps are heard as the scene fades into a reception area. It appears very sterile. Like a doctor’s office. | + | A few footsteps are heard as the scene fades into a reception area. It appears very sterile. Like a doctor's office. |
− | In the Foregorund: A very professional looking young woman sits at a desk typing on a small NAVI monitor. It partially obscures her. | + | In the Foreground: A very professional looking young woman sits at a desk typing on a small NAVI monitor. It partially obscures her. |
| --- | | --- |
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| *She glances past him* | | *She glances past him* |
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− | MC: Uhh… | + | MC: Uhh... |
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| --- | | --- |
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| TSUBAKI: You must be the transfer. | | TSUBAKI: You must be the transfer. |
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− | MC: That’s correct, I’m supposed to work in Wetware? | + | MC: That's correct, I'm supposed to work in Wetware? |
| | | |
− | TSUBAKI: That’s not entirely correct, for the time being… | + | TSUBAKI: That's not entirely correct, for the time being... |
| | | |
| *He glances at the receptionist* | | *He glances at the receptionist* |
| | | |
− | Let’s continue this on the way shall we?
| + | Let's continue this on the way shall we? |
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| --- | | --- |
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| --- | | --- |
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− | TSUBAKI: Now, that’s better. | + | TSUBAKI: Now, that's better. |
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− | Officially, you’re under employment of Tachibana Lab’s Wetware division. You’ll receive the same payroll as our specialist technicians while you carry out your task. | + | Officially, you're under employment of Tachibana Lab's Wetware division. You'll receive the same payroll as our specialist technicians while you carry out your task. |
| | | |
| MC: My task? | | MC: My task? |
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| MC: Whoa. | | MC: Whoa. |
| | | |
− | TSUBAKI: Impressive isn’t it? It is the culmination of years of work by Eiri and The Knights, The most valuable project in human history. | + | TSUBAKI: Impressive isn't it? It is the culmination of years of work by Eiri and The Knights, The most valuable project in human history. |
| | | |
| MC: What? | | MC: What? |
| | | |
− | Who? I… | + | Who? I... |
| | | |
| Who again? | | Who again? |
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| How? | | How? |
| | | |
− | I’m in the dark here.
| + | I'm in the dark here. |
| | | |
− | TSUBAKI: None of that’s really relevant to you. I’ll brief you and the specimen will be released to your custody. | + | TSUBAKI: None of that's really relevant to you. I'll brief you and the specimen will be released to your custody. |
| | | |
− | MC: Okay but… Wait, wait, what exactly do you do here? | + | MC: Okay but... Wait, wait, what exactly do you do here? |
| | | |
| I thought I was picking up a package. What is this “specimen?” | | I thought I was picking up a package. What is this “specimen?” |
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| TSUBAKI: This is Wetware. If it can be done with biology we make it happen. Anything. | | TSUBAKI: This is Wetware. If it can be done with biology we make it happen. Anything. |
| | | |
− | MC: So, that thing in there… That’s a cyborg? A clone? | + | MC: So, that thing in there... That's a cyborg? A clone? |
| | | |
| TSUBAKI:The specimen is an synthetic lifeform bonded to the form of a human being. | | TSUBAKI:The specimen is an synthetic lifeform bonded to the form of a human being. |
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| To call it by some ridiculous science-fiction moniker does not do our work justice. | | To call it by some ridiculous science-fiction moniker does not do our work justice. |
| | | |
− | We prefer to call her… Lain. | + | We prefer to call her... Lain. |
| | | |
− | MC: When did I step into wonderland… | + | MC: When did I step into wonderland... |
| | | |
| Lain, Like rain? | | Lain, Like rain? |