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| The opening theme is [[Duvet]] and the ending theme is [[Tooi Sakebi]]. | | The opening theme is [[Duvet]] and the ending theme is [[Tooi Sakebi]]. |
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− | ''Lain'' is influenced by philosophical subjects such as [[reality]], [[identity]], and [[communication]]. The series focuses on [[Lain Iwakura]], an adolescent girl living in suburban Japan, and her introduction to [[the Wired]], a global communications network similar to the Internet. Lain lives with her middle class family, which consists of her inexpressive older sister [[Mika Iwakura]], her cold mother [[Miho Iwakura]], and her computer-obsessed father [[Yasuo Iwakura]]. The first ripple on the pond of Lain's lonely life appears when she learns that girls from her school have received an [[e-mail]] from [[Chisa Yomoda]], a schoolmate who committed [[Suicide in Serial Experiments Lain|suicide]]. When Lain receives the message at home, Chisa tells her (in real time) that she is not dead, but has just "abandoned the flesh", and has found [[God]] in the Wired. From then on, Lain is bound to a quest which will take her ever deeper into both the network and her own thoughts. | + | ''Lain'' is influenced by philosophical subjects such as [[reality]], [[identity]], and [[communication]]. The series focuses on [[Lain Iwakura]], an adolescent girl living in suburban Japan, and her introduction to [[the Wired]], a global communications network similar to the Internet. Lain lives with her middle-class family, which consists of her inexpressive older sister [[Mika Iwakura]], her cold mother [[Miho Iwakura]], and her computer-obsessed father [[Yasuo Iwakura]]. The first ripple on the pond of Lain's lonely life appears when she learns that girls from her school have received an [[e-mail]] from [[Chisa Yomoda]], a schoolmate who committed [[Suicide in Serial Experiments Lain|suicide]]. When Lain receives the message at home, Chisa tells her (in real time) that she is not dead, but has just "abandoned the flesh", and has found [[God]] in the Wired. From then on, Lain is bound to a quest which will take her ever deeper into both the network and her own thoughts. |
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− | The anime series is licensed in North America by Funimation since 2010. Before that, it was licensed bye Geneon(previously Pioneer Entertainment) who released the series on VHS, LaserDisc, and DVD, as well as a restored BluRay edition. It was also released in Singapore by Odex. The video game, which shares only the themes and protagonist with the series, was never released outside Japan. | + | The anime series is licensed in North America by Funimation since 2010. Before that, it was licensed bye Geneon(previously Pioneer Entertainment) who released the series on VHS, LaserDisc, and DVD, as well as a restored Blu-ray edition. It was also released in Singapore by Odex. The video game, which shares only the themes and protagonist with the series, was never released outside Japan. |
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| A remastered Blu-ray box set was released in Japan in 2009, and the US in 2012. It features the show redigitized to a 4:3 1080p format, with many CG sequences (such as the PRESENT DAY PRESENT TIME opening) re-rendered in higher quality. | | A remastered Blu-ray box set was released in Japan in 2009, and the US in 2012. It features the show redigitized to a 4:3 1080p format, with many CG sequences (such as the PRESENT DAY PRESENT TIME opening) re-rendered in higher quality. |
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| ''Serial Experiments Lain'' deals directly with the definition of [[reality]], which makes its complex plot difficult to summarize. The story is primarily based on the assumption that everything flows from human thought, [[memory]], and consciousness. Therefore, events on screen can be considered hallucinations of Lain, of other protagonists, or of Lain fabricating the hallucinations of others. Story misdirection is central to the plotline; even the offscreen voices or narrations' information cannot be considered truthful. The series consists of a cross-reflection of philosophical themes instead of the traditional linear events depiction: episodes are called "[[:Category:Episodes|layers]]". | | ''Serial Experiments Lain'' deals directly with the definition of [[reality]], which makes its complex plot difficult to summarize. The story is primarily based on the assumption that everything flows from human thought, [[memory]], and consciousness. Therefore, events on screen can be considered hallucinations of Lain, of other protagonists, or of Lain fabricating the hallucinations of others. Story misdirection is central to the plotline; even the offscreen voices or narrations' information cannot be considered truthful. The series consists of a cross-reflection of philosophical themes instead of the traditional linear events depiction: episodes are called "[[:Category:Episodes|layers]]". |
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− | ''Serial Experiments Lain'' describes "[[the Wired]]" as the sum of human communication networks, created with the telegraph and telephone services, and expanded with the [[Internet]] and subsequent networks. The anime assumes that the Wired could be linked to a system that enables unconscious communication between people and machines without physical interface. The storyline introduces such a system with the [[Schumann Resonances]], a property of the Earth's magnetic field that theoretically allows for unhindered long distance communications. If such a link was created, the network would become equivalent to Reality as the general consensus of all perceptions and knowledge. The thin line between what is real and what is possible would then begin to blur. | + | ''Serial Experiments Lain'' describes "[[the Wired]]" as the sum of human communication networks, created with the telegraph and telephone services, and expanded with the [[Internet]] and subsequent networks. The anime assumes that the Wired could be linked to a system that enables unconscious communication between people and machines without physical interface. The storyline introduces such a system with the [[Schumann Resonances]], a property of the Earth's magnetic field that theoretically allows for unhindered long-distance communications. If such a link was created, the network would become equivalent to Reality as the general consensus of all perceptions and knowledge. The thin line between what is real and what is possible would then begin to blur. |
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| [[Masami Eiri]] is introduced as the project director on [[Protocol 7]] (the next generation internet protocol in the series' timeframe) for major computer company [[Tachibana General Laboratories]]. He has secretly included [[Source Code|code]] of his own creation to give himself control of the Wired through the wireless system described above. He then "uploaded” his consciousness into the Wired and died in real life a few days after. These details are unveiled around the middle of the series, but this is the point where the story of ''Serial Experiments Lain'' begins. | | [[Masami Eiri]] is introduced as the project director on [[Protocol 7]] (the next generation internet protocol in the series' timeframe) for major computer company [[Tachibana General Laboratories]]. He has secretly included [[Source Code|code]] of his own creation to give himself control of the Wired through the wireless system described above. He then "uploaded” his consciousness into the Wired and died in real life a few days after. These details are unveiled around the middle of the series, but this is the point where the story of ''Serial Experiments Lain'' begins. |
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| In the meantime, the anime follows a complex game of hide-and-seek between the "[[Knights of the Eastern Calculus]]", hackers who Masami claims are "believers that enable him to be a god in the Wired", and Tachibana Labs, who try to regain control of Protocol 7. | | In the meantime, the anime follows a complex game of hide-and-seek between the "[[Knights of the Eastern Calculus]]", hackers who Masami claims are "believers that enable him to be a god in the Wired", and Tachibana Labs, who try to regain control of Protocol 7. |
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− | In the end, the viewer sees Lain realizing, after much introspection, that she has absolute power over everyone's mind and over reality itself. Her dialogue with different versions of herself show how she feels shunned from the material world, and how she is afraid to live in the Wired, where she has the possibilities and responsibilities of a goddess. The last scenes feature her erasing everything connected to herself from everyone’s memories. She is last seen unchanged - re-encountering her old friend [[Alice Mizuki]], who is now married. Lain promises herself to look after Alice. | + | In the end, the viewer sees Lain realizing, after much introspection, that she has absolute power over everyone's mind and over reality itself. Her dialogue with different versions of herself show how she feels shunned from the material world, and how she is afraid to live in the Wired, where she has the possibilities and responsibilities of a goddess. The last scenes feature her erasing everything connected to herself from everyone's memories. She is last seen unchanged - re-encountering her old friend [[Alice Mizuki]], who is now married. Lain promises herself to look after Alice. |
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| ==Development== | | ==Development== |
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| * Cyberia, a bar/disco frequented in the series is an allusion to the nonfiction novel by the same name by Douglas Rushkoff. The pun on "Siberia" is intentional. See also Gaia, the global brain in the same book. | | * Cyberia, a bar/disco frequented in the series is an allusion to the nonfiction novel by the same name by Douglas Rushkoff. The pun on "Siberia" is intentional. See also Gaia, the global brain in the same book. |
| ** It was also the name of one of the earliest cybercafé franchises - which had a branch in Tokyo. | | ** It was also the name of one of the earliest cybercafé franchises - which had a branch in Tokyo. |
− | * Protocol 7 refers, probably, to the 7th Layer, the neurogenetic circuit, of the Eight Layers of Conciousness as proposed by Timothy Leary. | + | * Protocol 7 refers, probably, to the 7th Layer, the neurogenetic circuit, of the Eight Layers of Consciousness as proposed by Timothy Leary. |
| ** And could also be a successor to the upcoming new internet protocol IPv6 (Internet Protocol version 6) (the current internet protocol is IPv4 (Internet Protocol version 4)). | | ** And could also be a successor to the upcoming new internet protocol IPv6 (Internet Protocol version 6) (the current internet protocol is IPv4 (Internet Protocol version 4)). |
| * NAVI, the trademark-turned-noun for computer in the series, is contracted from Knowledge Navigator, a term invented by Apple CEO John Sculley in his book Odyssey. It referred to a computer connected to a vast network where everyone was connected. | | * NAVI, the trademark-turned-noun for computer in the series, is contracted from Knowledge Navigator, a term invented by Apple CEO John Sculley in his book Odyssey. It referred to a computer connected to a vast network where everyone was connected. |